I had no idea Carnifex had a new EP in the works, but by chance I have been listening to them a lot during my exercise lately (their 2016 album, Slow Death , especially), so this EP that dropped this Friday ended up being quite a timely surprise for me. It’s a pretty minor, 4-track release from them, we get one original song (the titular track), a cover of Nine Inch Nails’ “Head Like a Hole”, a cover of Slipknot’s “The Heretic Anthem”, and a Gost-remixed version of their Nine Inch Nails cover. The EP starts with the band’s original song “Bury Me in Blasphemy”, a pretty standard cut for the band at this point in their evolution, much like something that might have showed up on Slow Death . I like the main groove and the big riff that rounds the song off in tandem with a string section. Well-mixed, well-supplemented with what what sound like synthetic strings and even horns at some points, and sufficiently brutal, it’s a satisfying little bonus addition to ...
My introduction to Children of Bodom was through their 2005 album, Are You Dead Yet? , an album that most fans (from what I can tell) regard as the break in the string of great albums that began their career, making way for the even less loved Blooddrunk . Children of Bodom have long been one of those bands that, despite my well-discerned mixed feelings toward, I often feel this uncertain draw toward, yet when I give in and revisit their catalog, I find myself right back where I started as far as my opinion of them and their work is concerned. I often revisit albums like Hate Crew Deathroll and Follow the Reaper because those are the fan favorites. And while I see what made those albums so unique for melodic death metal at the time, they are hardly consistent in their wielding of what would become the band’s signature sound. Those albums capture well the beneficially less-ultra-serious angle I have enjoyed from the band, and it’s their knack for me...
If you’re going to make some asshat claim that your band invented metalcore to get publicity for your upcoming album, that album should probably at least sound like more than generic, band-wagoning alternative metal with a dash of melodic metalcore. That post I made last week about genres being important was partly inspired by the idiotic comment Atreyu’s Alex Varkatzas made about being the inventors of metalcore. The ploy of making bold public statements for the sake of headlines surrounding an upcoming release is an old tactic that I and most metalheads are probably used to at this point, even if it’s still groan-inducing a lot of the time. But the asinine claim Varkatzas made were based on warping the understanding of genres, basically intentionally trying to break a tool the metal community uses to discuss music. And of course people were quick to let the band know this, pointing to metallic hardcore’ s progenitors like Converge and Botch, as well as melodic metalcore’s well-ackno...
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